Artwork Compass Mandala, ink and graphite, 20″ x 20″, 2016 Before there were Phurbas, ink, 8.5″ x 11″, 2017 Seed Blaster, ink, 8.5″ x 11″, 2018 Sailboat, ink and watercolor pencils, 5.5″x 8.5″, 2017 Union, white charcoal, 24″x 18″, 2009 Moth, graphite, 11″x 14″, 2013 Elemental, ink in sketchbook, 5.5″ x 8.5″ This sort of thing was always happening, ink in sketchbook, 5.5″ x 8.5″ Heaven and Earth, ink in sketchbook, 8.5″ x 11″ Tangled Heart, ink, 8.5″ x 11″, 2018 Fallacy of Preservation, graphite, 2′ x 3′, 2010 Portrait of Walt Whitman, latex house paint on paper, 18″x 24″, 2017 The Transition, graphite, 24″ x 18″, 2009 12 Ways of Looking at It, ink, 8.5″ x 11″, 2018 We’re in This Together, ink in sketchbook, 5.5″ x 8.5″ Harbinger of Opposites, oil, 40″x 30″, 2009 Hallucination Machine, graphite and oil, 24″x 18″, 2009 Blue Lady, oil, 3’x 4′, 2007 Throne of Yea, ink and watercolor, 11″ x 17″, 2013 Study, watercolor and gouache in sketchbook, 2017 Monolith, ink in sketchbook, 5.5″ x 8.5″ The cost and the prize of living…, ink and watercolor in sketchbook, 11″ x 8.5″ The Sculptor, ink on paper, 11″ x 8.5″, 2018 Portrait of Aldous Huxley, latex house paint, 2015 a spread from my brown sketchbook, inks, 2014
What do you mean by “Prservation” in your “Fallacy of Preservation”?
As in “keeping it the way it is” and “lasting forever.”
Very unique. I enjoy looking at your masterpieces!
Thanks for your kind words, Amber.